JOHN ROMITA JR. VIP MEET & GREET
SATURDAY MARCH 21, 2026: 4:30PM – 6PM AND SUNDAY MARCH 22, 2026: 3:30PM – 5PM
John Romita Jr. is hosting an exclusive VIP Meet and Greet on Saturday March 21st from 4:30pm – 6pm and Sunday March 22nd from 3:30pm – 5pm. There are only 40 opportunities available per day and once they’re gone… THEY’RE GONE! As part of this Sac Comic-Con 2026 event, buyers will get one drawing by John, receive a signed exclusive 11×17″ print, be entered into a drawing for a full figure Spidey pencil artwork, and more!
HEADSHOT EXAMPLE – $250 + 5% ticketing fee (only 20 available per day)
Purchase Your John Romita Jr. VIP Meet & Greet
TORSO EXAMPLE – $500 + 5% ticketing fee (only 20 available per day)
Purchase Your John Romita Jr. VIP Meet & Greet
Everything Included in this Opportunity!
• One original art headshot/torso – you choose one character from the following: Spider-man, Daredevil, Wolverine, Thor, Batman, Iron Man
• Exclusive Signed 11×17″ Print of full figured Spider-Man
• 10 signatures on items of choice
• Raffle Ticket for Original Full Figured Spider-Man pencil sketch – limited to Meet & Greet participants
• Photo opportunity with John Romita Jr and one on one time
To attend the VIP Meet & Greet you will need to bring your ticket to the event. A valid registration to Sac Comic-Con 2026 is required.
Kaitlyn Robrock is a voice actress and singer best known as the current official voice of Minnie Mouse for Disney. Her work spans animation, video games, and theme park projects, where she brings classic and new characters to life with energy and heart. A lifelong fan of animation and fandom culture, Kaitlyn loves connecting with fans and celebrating the magic behind the voices they know and love.
Mark Badger is an American comic book artist, writer, and painter known for his distinctive fusion of fine art aesthetics and graphic storytelling. Starting at Marvel with Gargoyle in the the early 1980s, Badger quickly gained recognition for his bold line work, expressive figure drawing, and experimental page design. He did Greenberg the Vampire graphic novel at Marvel, Masque in the first year of Dark Horse. His Martian Manhunter mini-series with J.M. DeMatteis was a wildly experimental work before DC was ready to accept visual experimentation. His haunting, surreal interpretation of the character was most visually unique runs DC has ever published. Throughout the 1980s and 1990s, Badger contributed to numerous major publishers, including Marvel Comics and DC Comics, working on titles inking and coloring Mike Mingola’s Dr Doom/Dr Strange story, painting the Score with Piranha press and other work. One of the first artists to start working on the computer be did Spiderman Online for Marvel and AOL(remember them?).
Badger has consistently pushed the boundaries of the medium, incorporating elements of painting, illustration, and conceptual art into his storytelling. In addition to his publishing work, Badger has been active as an educator and advocate for comics as a legitimate art form, often speaking at conventions and institutions about the evolution of visual narrative and the work of Jack Kirby. In recent years, Badger has continued producing original artwork, commissions, and limited-edition projects for collectors, while starting publishing his own series Badgetoons and Abstract Kirby, an exploration of Jack Kirby’s visuals, and Just Draw a mnanual on creating comics while not getting stressed out. His later works reflect a mature synthesis of his early expressive style with a refined painterly approach, further solidifying his reputation as one of the most visually adventurous artists to emerge from the 1980s American comics scene.
